Since 2014
Rethinking Seriality in Minimalist Art Practices
Canadian Social Science
View Archive Info| Field | Value | |
| Title |
Rethinking Seriality in Minimalist Art Practices
|
|
| Creator |
ZHOU, Yanhua
|
|
| Subject |
—
Seriality; Minimalism; Objecthood; Repetition — |
|
| Description |
Seriality in one of the characterist of Minimalist works. It shows a visual order of “one thing after another”. However, we never think about issues related Minimalist seriality, such as the difference between modernism and Minimalism when thinking in series, the theoretical logic behind it, whether seriality is equal to repetition, and its aesthetic and social meanings. This essay rethinks the meaning of seriality in Minimalist art practices. It aims to reexamine the term “seriality” in both modernist and Minimalist practices, distinguish it from repetition and sameness and explore the reason for Minimalist artists thinking in series from both socio-political and aesthetic epistemological perspectives.
|
|
| Publisher |
Canadian Research & Development Center of Sciences and Cultures
|
|
| Contributor |
—
|
|
| Date |
2015-07-26
|
|
| Type |
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion Peer-reviewed Article — |
|
| Format |
application/pdf
|
|
| Identifier |
http://www.cscanada.net/index.php/css/article/view/7277
10.3968/%x |
|
| Source |
Canadian Social Science; Vol 11, No 7 (2015): Canadian Social Science; 148-154
1923-6697 1712-8056 |
|
| Language |
eng
|
|
| Relation |
http://www.cscanada.net/index.php/css/article/view/7277/7766
|
|
| Coverage |
—
— — |
|