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America’s Doll House: Casting Nora Helmer and other Transgressive Monster-women in Reality Television’s The Real Housewives Series

Journal of Advances in Social Science and Humanities

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Title America’s Doll House: Casting Nora Helmer and other Transgressive Monster-women in Reality Television’s The Real Housewives Series
 
Creator Cappelli, Mary Louisa
 
Description Capitalizing on the frivolous activities of affluent housewives who occupy the million dollar dollhouses of America’s landscape, The Real Housewives reality television series provides a compelling case to chronicle a fabricated world of sexualized excess, where housewives perform within the consumer imperative of media’s libidinal economy. Within these discursive media spaces, female communities are superficially constructed casting personalities similar to Henrik Ibsen’s Nora Helmer—housewives driven by shades of female hysteria. In this essay, I explore the myriad ways The Real Housewives’ media franchise fashions notions of “housewife” and how women subvert and resist this construction for yet another patriarchal construction of sexualized post-feminist consumer.  I argue that these artificial performances of sexual desirability and liberatory feminism act as a substitute for gendered justice and political and social transformation. Keywords: Henrik Ibsen, Feminism, Post feminism, Gender Studies, Gender Performativity, American Television, Reality Television.
 
Publisher Journal of Advances in Social Science and Humanities
 
Contributor
 
Date 2017-08-26
 
Type info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Peer-reviewed Article
 
Format application/pdf
 
Identifier http://jassh.in/index.php/jassh/article/view/255
10.15520/jassh38255
 
Source Journal of Advances in Social Science and Humanities; Vol 3, No 8 (2017)
2395-6542
10.15520/jassh38
 
Language eng
 
Relation http://jassh.in/index.php/jassh/article/view/255/191
 
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