Record Details

Rhoda’s Non-Identity in Virginia Woolf’s THE WAVES

Advances in Asian Social Science

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Title Rhoda’s Non-Identity in Virginia Woolf’s THE WAVES
 
Creator Montashery, Iraj; Islamic Open University of Lahijan
 
Subject Non-Identity; Identity, Gender; Facelessness; Language; Rhoda;
 
Description Virginia Woolf in THE WAVES questions binary thinking regarding gender identity severely because it is reductive and restrictive. For this reason, Rhoda celebrates and welcomes diversity and ambiguity of gender. To Rhoda, featurelessness or facelessness is desirable, since it is malleable and opens up a space for more possibilities. Rhoda’s relation to language and identity does not follow a very clear-cut path, like that of Susan, for instance, who identifies with the mother, and Jinny, who identifies with the father. For Rhoda, accepting existing identification paths which are predetermined and prescribed will trap and imprison her, and will not allow for emancipation or multiplicity. She is disdainful of identity, society and language. Rhoda revels in featurelessness and then it becomes clear that featurelessness is Rhoda’s particular identity. She defines herself through not being like her other friends who try to claim their identities at their two meetings. In short, non-identity is Rhoda’s identity.
 
Publisher World Science Publisher
 
Contributor —
 
Date 2013-03-27
 
Type info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
—
 
Format application/pdf
 
Identifier http://worldsciencepublisher.org/journals/index.php/AASS/article/view/1209
 
Source Advances in Asian Social Science; Vol 4, No 2 (2013); 806-809
2167-6429
 
Language eng
 
Relation http://worldsciencepublisher.org/journals/index.php/AASS/article/view/1209/931
 
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